Face of a child, powers of a god.
He could end the world or save it.
I’ve been watching Mythical Detective Loki Ragnarok for so many weeks now that I can hardly believe it’s over. Everything must end, though, especially this series, since Ragnarok is actually the end of the world in Norse mythology. In fact, that was my main draw to today’s show: getting to see anime versions of the gods of Asgard in action. It never quite turned into the series I was hoping it would (see my First Impressions for details) but it was still a worthwhile watch.
Loki, Norse god of mischief, has been exiled to Earth in the form of a child. He’s not quite sure why Odin (ruler of the Norse gods) has a vendetta against him, but he wants to return to Asgard (the realm of the gods) as well as his original form quite badly. The only way he can do this is by gathering evil energy (though what exactly he’s supposed to do with all that evil energy, we don’t know) so he opens a paranormal detective agency along with his trusty manservant Yamino. While solving a case involving an evil doll he meets Mayura, a teenager who is obsessed with mysteries and the paranormal. She begins hanging out with Loki (despite his initial objections) and tries to help solve cases, though more often than not she gets captured or is just in the way. Mayura doesn’t realize that Loki is a god despite all of the strange and magical things that happen when he’s around, proving she’s not the sharpest tool in the shed. Throughout the series more gods show up, some with the intention of helping Loki, others trying to kill him. It seems like just about everyone in Asgard is either in love with him or wants him dead. Either way, they all get into many escapades as the series progresses and Loki gets closer to the truth about who is the one actually thirsting for vengeance.
Let’s start with the good: the animation itself is excellent for a series that’s nearly a decade old, which one would expect with Studio Deen. It’s a little bright and cartoony in comparison to other works such as Hell Girl or Vampire Knight, almost as though Studio Deen were producing a typical American Saturday morning cartoon, yet even so the quality is apparent. The opening theme is great, and while the closing theme suffers from some shaky vocals, it’s still quite catchy. The idea of the story is an interesting blend of culture: Norse gods solving occult crimes in modern-day Japan makes for some amusing scenes. However (and here we get to the bad) the story overall never really took off. It was a series of similar plotlines, and even when new gods were introduced they were just blended into the background of another form episode the next time. The second half of the series was better than the first in that we finally had some established conflict within the plot, but it was still never riveting entertainment due to reliance on the same old story patterns. In that regard, Loki’s weapon transformation scene was never outrageously cool to begin with, and after seeing it in nearly every single episode I couldn’t help but roll my eyes. It became stale and predictable, which is a shame given that the subject matter had such potential.
I could have better dealt with the formulaic episodes if the characters had been well-developed and interesting, but they weren’t. Loki as a child was bland and aloof in a partial-tsundere way and only became interesting when he transformed back into his original form. Those episodes were my favourites, but they were far and few between. Yamino had two episodes of not being the cheerful manservant and was otherwise relegated to only having the quirk of overspending on home shopping to make him lovable. Mayura was, for lack of a better term, a complete idiot and did nothing but detract from the show. Even her shrill voice was annoying. The other gods each had their own eccentricity such as Thor’s obsession with part-time jobs, Freyr’s obsession with cheap food, and Freyja’s obsession with, well, Loki. However, there was little else to each character other than her or his one definable trait, hence they were impossible to connect with, which kept me as a viewer from getting truly engrossed in the story.
As a fan of Norse mythology and paranormal anime I was really looking forward to this series, but it never blossomed into the dark, rich tale that I was hoping for. That’s not to say that there’s no merit here: it’s a unique depiction of Loki, to be sure. He’s certainly much more accessible (and even sort of lovable) compared to other portrayals of the god of mischief found in stories such as Neil Gaiman’s Sandman, Marvel’s Thor, or even the original Norse mythology. According to good ol’ Wikipedia the manga is much darker than the anime, which leads me to believe that perhaps the manga is better, or at least that it lives up to the tempting potential displayed in the gothic opening credits of the anime. Even so, something kept me watching week after week. Admittedly I’m harsher when reviewing a series that I’m really looking forward to since it’s easier to be pleasantly surprised when your expectations are low. Mine were rather high for this one, but had I gone in blind (or just not raised my expectations based on the references to Norse mythology in the title) I might have written a glowing review of a relatively light, enjoyable fantasy anime. Even though Mythical Detective Loki Ragnarok didn’t quite deliver on its promise of dark intrigue and ancient godly battles, it’s still worth watching, especially if you adore the Norse gods like I do.
Rating: ★★★ Check it out for the fleeting mythological references, stay for the dreamy glimpses of adult Loki.