You Are The Music In Me: Ef, A Tale Of Melodies

Are we alone? Do actions matter?

All will meet in music and love.

Oh Ef, where to begin? If you aren’t familiar with the first season of this visually stunning series, I suggest you take a gander at my review of season one, Ef: A Tale Of Memories. Season two, Ef: A Tale Of Melodies, is every bit as much of an emotional roller coaster/feast for the eyes as its predecessor.

Shadows of Yuko and Yu: their destinies paint each other’s lives, as well as the lives of those around them.

Once again we follow the paths of two sets of couples, only this time we have a frame of reference since all of the main characters in season two were side characters in season one. (For details please see my First Impressions post.) The first pair consists of Yu Himura, a budding artist, and Yuko Amamiya, the strange new girl at school, and their story takes place many years ago when both were in high school. As it turns out, Yu and Yuko knew each other when they were children in the same orphanage, and when they meet again they fall in love. However, all things are not as they seem: Yuko carries a dark secret with her, one that threatens to poison her blossoming relationship with Yu. The second story takes place in the present and concerns Mizuki Hayama, schoolmate to season one’s Kei and recent high school graduate, as well as Kuze Shuichi, an adult violinist who attended school alongside Yu and Yuko. As soon as Mizuki hears Kuze play she falls in love with him, yet Kuze rejects her out of fear (you find out more details very soon into the series). Will Mizuki be able to heal Kuze’s heart enough for him to love her in return? Will Yu and Yuko manage to escape the demons that haunt them? Will love conquer all?

Kuze wears many masks, both literally and figuratively.

I don’t want to divulge more details that what I’ve stated above, as this series takes quite a few drastic twists and turns, and I’d hate to spoil it for any new fans. Sufficed to say you get a lot of the dramatic events unfolding early on, which I was quite pleased with. This show definitely kept me on the edge of my seat because I never knew what fresh hell would be thrown at these characters. As in season one, I didn’t feel particularly connected to any one player in the story, which would usually bug me but oddly doesn’t matter so much in the Ef series. It retained its sense of viewing a dramatic painting rather than being immersed in a novel, but that didn’t make it any less enthralling to watch. I was also happy with how well the second season compliments the first. Both are companion pieces of the same story rather than separate entities. To understand the entire saga you really need to watch both seasons, preferably one right after the other.

Mizuki provides one of the few rainbows in this dark tale.

Like the first season, the artwork is gorgeous and makes interesting use of silhouettes, shadows, and colours. It stands on its own as viscerally enticing, but the epic storyline takes the series even further. Once again I found myself distracted with the incredibly high volume of melodrama, but toward the end of the series I became just as caught up in the setting and characters as I did in season one. There’s a bit more fan service this time, as seems to be par for the course in anime, but it never became distracting as it was mostly relegated to the credits. The music was similar to season one as well: pleasant enough to hear at first, then slowly taking root in your brain so that you find yourself getting swept up by the familiar notes at the close of the final episode.

“Finally, Yuko, after 24 episodes, I realized that you’re…” “Shhh, don’t spoil the surprise!”

A Tale of Melodies might be the most perfect second season of an anime that I’ve seen to date. It neither surpasses nor fails the original, but instead retains an equal level of excellent artwork and storytelling. The feel of the second season is the same as the first, but the development of the story is fresh and new, not just a humdrum continuation. There are definitely adult themes in this series, making it one for more mature anime fans, but as with season one, Ef: A Tale of Melodies is not to be missed. Ef as a whole is both grand and simplistic, dark and light, sad and uplifting. I can see myself rewatching the entire series again when I need a story to take me away from myself for a while, then leave me filled with hope when I return, which is a pretty impressive feat for an anime.

Rating: ★★★★✰ Just as with season one, I knocked off half a star for the melodrama, but this definitely ranks with some of the best emotional anime that I’ve seen.

First Impressions: Ef, A Tale Of Melodies

Another tale, this one told not in memories,

but in melodies.

I told you that I’d check out season two in the Ef series, and by gum, I did just that. (Thanks for showing season two right after the first one, Anime Network On Demand! Now if you could go ahead and show the second season of The World God Only Knows, that would be super.) I figured that A Tale Of Melodies would be an entirely new drama of heart-wrenching proportions, but as it turns out, we get to interact more with the side characters from season one. Hooray for familiar faces!

So, here we are, Yu. Alone at last. I’m so glad I decided to stalk you today!

Episode one opens with Yu Himura, the guy who dresses like a priest and took care of Chihiro in season one. He says some deep things about two towns, then we get to see a flashback of him during his school days. He meets up with the magical nun from season one, who is now also a teen, on the roof of his school, and we finally find out that her name is Yuko. They talk about not seeing each other for ten years and how Yu doesn’t remember her, then she leaves saying that she doesn’t want to see him again. After that we see more of Yu wandering around the school, first running into a creepy teacher who encourages him to join the art department, then finding a girl painting a self-portrait in the nude. Turns out that this gal is his friend (though I didn’t catch her name) and after she gets dressed they walk around town to do some shopping. Artsy gal notices that Yuko has been following them, gets in a huff because Yuko and Yu allude to having some sort of relationship/friendship, and leaves the two of them standing in the middle of town.

Hey Kuze, it’s totally not creepy if I try on your “cosplay” for “lady friends,” right? We’re almost all adults here, after all.

Finally, at twelve minutes in we get the opening credits (which are similar to season one’s) then we switch over to Mizuki Hayama, the blond side character who was obsessed with Kei in the first season. Turns out she’s Renji’s cousin, and she’s staying with him and his mom until she goes off to the school she’s been accepted to. Also noteworthy: turns out the whole thing takes place in Australia?!? I guess due to the names and outfits I assumed the setting was either Japan or some fictional “every place.” Anyway, Mizuki mentions hearing lovely violin music the previous night, and Renji’s mom tells her it must have been their neighbor, Kuze Shuichi, the professional violinist. (All the side characters from season one are coming out of the woodwork now!) Mizuki wants to meet him, but Renji warns that he’s also a pro at being a ladies’ man. Mizuki doesn’t care, so she gets her introduction via Renji’s mom. As a further treat Kuze agrees to let Mizuki spend the day with him. They faff about his near empty apartment, sometimes saying deep things, sometimes just chewing the fat. Mizuki finds his infamous collection of school girl uniforms but isn’t fazed, then asks to hear him play. He begs for a rain check and she obliges. At one point Kuze mentions needing to take medicine, but we don’t know what for. After that they spend time just lying on the floor and staring up at the ceiling, appreciating the simplistic joy of it. Mizuki leaves, and Kuze falls back on the couch in pain. O no! What will happen next?

Deep dramatic scenes are deep. And dramatic.

I really liked this first episode, thanks mostly to my enjoyment of season one. The art and music quality are still quite good, and I knew what sort of story to expect thanks to the first season. I was fully prepared to learn about a new set of characters embroiled in deep drama, but to my delight the story seems to be following up on side characters from season one. I like this not only because it already gives me a starting point brimming with comforting familiarity, but also I was truly curious about some of the characters that we saw so little of the first time around. Thanks to that, I’m probably more excited about watching season two than I was watching the initial season. I just hope that it lives up to its predecessor’s outstanding quality.

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